{"id":3213,"date":"2024-05-23T22:07:38","date_gmt":"2024-05-23T19:07:38","guid":{"rendered":"https:\/\/bagnik-zine.net\/?p=3213"},"modified":"2024-05-23T22:07:38","modified_gmt":"2024-05-23T19:07:38","slug":"%d1%80%d1%8d%d1%86%d1%8d%d0%bd%d0%b7%d1%96%d1%8f-vortize-desde-bajo-tierra","status":"publish","type":"post","link":"https:\/\/bagnik-zine.net\/en\/rev\/3213\/","title":{"rendered":"Review: V\u00d3RTIZE \u2013 Desde bajo tierra"},"content":{"rendered":"<p><span style=\"color: #008080;\">Year:<\/span> 2023<br \/>\n<span style=\"color: #008080;\">Label:<\/span>&nbsp;<a href=\"https:\/\/www.facebook.com\/NubeNegraProd\">Nube Negra Prods<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span>&nbsp;<span style=\"color: #ff0000;\">8,7 \/ 10<\/span><\/p>\n<p>The second album of the enchanting Chilean project V\u00d3RTIZE was released just a year after the debut, which, give n the richness of his music, surprised me at first. But, as it turned out, \u201cDesde bajo tierra\" is a kind of collaboration, where seven guest musicians took part. Three of them wrote their own songs for the album, so hecatoncheir Javier Ortiz had the opportunity to relax a little this time.<\/p>\n<p style=\"text-align: center;\"><em>Flaites, indigentes, maleantes y presidentes<\/em><br \/>\n<em>No podr\u00e1n escapar de mi martillo mortal<\/em><br \/>\n<em>Soy el que llega pateando atrapando delincuentes<\/em><br \/>\n<em>No te preocupes, yo velo por tu integridad<\/em><\/p>\n<p>Despite this, the new album is not fundamentally different from the debut. It's the same Spanish-language romantic, <em>soulful <\/em>Heavy Metal, which makes your heart sink so often that can inadvertently get a heart attack. The presence of more active guest musicians, of course, influenced V\u00d3RTIZE, but not as much as one might expect. The main changes are limited to three aspects. Firstly, the album is a little more frisky and heavy than its predecessor. Even the \u201dballad\" tracks here are played to a loaded electric guitar. If the debut existed in the paradigm of the dawn of Heavy Metal of the 80s, then \u201cDesde bajo tierra\u201d often echoes with the future Speed Metal. I only welcome this change, as I have always advocated fast, dynamic heavy metal, but I must say it was excellent before, too.<\/p>\n<p style=\"text-align: center;\"><em>El ente sin raz\u00f3n<\/em><br \/>\n<em>Que habita en tu interior<\/em><br \/>\n<em>Que hoy tienes como identidad&#8230;<\/em><\/p>\n<p>Secondly, the sound has also undergone a certain modernization. The ancient warm crispness has disappeared from it, but expressiveness, iron clanking and reverberation have been added. This is also not a bad thing, because the sound is still authentic and 100% alive. Only in the last track it seems that the hardware settings have somehow gone astray. Finally, thirdly, the songs turned out a little bit \u2013I repeat, <em>a little bit<\/em> - less risky and more structured. But even in this case, they are able to twist your head like a carousel. After all, as before, there are constant different tuned guitars, all kinds of vocals, Latin American ethnic acoustics. And countless guitar solos. And a whistling solo, again. I can't help but notice that, thanks to the more ordered structures, these songs cement themselves into your memory almost instantly, even if you only know the words \"puta\u201d and \"pendejo\" from all Spanish language.<\/p>\n<p style=\"text-align: center;\"><em>Siempre metal (Siempre metal)<\/em><br \/>\n<em>le gritar\u00e1s al viento<\/em><br \/>\n<em>Heavy metal (te ayudar\u00e1)<\/em><br \/>\n<em>Te ayudar\u00e1 a sanar<\/em><\/p>\n<p>In short, \"Desde bajo tierra\" turned out to be just great, but I am not sure if it is better or weaker than the debut, so I give it the same rating. But I can say the following with confidence: the music of the modest band V\u00d3RTIZE is <em>dozen times<\/em> better than all the modern Heavy Metal \"products\" that I can imagine. This even applies to my favorite underground bands like XENOTAPH and the gods like IRON MAIDEN, because the music of the latter doesn't offer the same sound and emotions for many years now. And, after V\u00d3RTIZE, listening to some kind of plastic crap like modern HELLOWEEN or ARMORED SAINT is, I'm sorry, like leaving a restaurant of Latin American folk cuisine to eat dog vomit instead of fragrant Pastel de choclo; unacceptable and pointless.Of course, such a unique band as V\u00d3RTIZE could only appear in one place on this planet: in a country of metal called Chile.<\/p>\n<p style=\"text-align: center;\">&nbsp;<iframe style=\"border: 0; width: 350px; height: 787px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315410618\/size=large\/bgcol=333333\/linkcol=e32c14\/package=3633708666\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/nubenegraprod.bandcamp.com\/album\/desde-bajo-tierra\">Desde Bajo Tierra by V\u00f3rtize<\/a><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>\u0413\u043e\u0434: 2023 \u0412\u044b\u0434\u0430\u045e\u0446\u0430:&nbsp;Nube Negra Prods \u0420\u044d\u0439\u0442\u044b\u043d\u0433:&nbsp;8,7 \/ 10 \u0414\u0440\u0443\u0433\u0456 \u0430\u043b\u044c\u0431\u043e\u043c \u0444\u0435\u0435\u0440\u044b\u0447\u043d\u0430\u0433\u0430 \u0447\u044b\u043b\u0456\u0439\u0441\u043a\u0430\u0433\u0430 \u043f\u0440\u0430\u0436\u044d\u043a\u0442\u0443 V\u00d3RTIZE \u0432\u044b\u0439\u0448\u0430\u045e \u0443\u0441\u044f\u0433\u043e \u043f\u0440\u0430\u0437\u044c \u0433\u043e\u0434 \u043f\u0430\u0441\u044c\u043b\u044f \u0434\u044d\u0431\u044e\u0442\u0443, \u0448\u0442\u043e, \u0443\u043b\u0456\u0447\u0432\u0430\u044e\u0447\u044b \u0431\u0430\u0433\u0430\u0446\u044c\u0446\u0435 \u044f\u0433\u043e \u043c\u0443\u0437\u044b\u043a\u0456, \u0441\u043f\u0430\u0447\u0430\u0442\u043a\u0443 \u043c\u044f\u043d\u0435 \u0437\u044c\u0434\u0437\u0456\u0432\u0456\u043b\u0430. \u0410\u043b\u0435, \u044f\u043a \u0432\u044b\u0441\u044c\u0432\u044f\u0442\u043b\u0456\u043b\u0430\u0441\u044f, &#8220;Desde bajo tierra&#8221; \u0451\u0441\u044c\u0446\u044c \u0441\u0432\u0430\u0439\u0433\u043e \u043a\u0448\u0442\u0430\u043b\u0442\u0443 \u043a\u0430\u043b\u044f\u0431\u0430\u0440\u0430\u0446\u044b\u044f\u0439, \u0434\u0437\u0435 \u045e\u0437\u044f\u043b\u0456 \u045e\u0434\u0437\u0435\u043b \u0441\u0435\u043c \u0437\u0430\u043f\u0440\u043e\u0448\u0430\u043d\u044b\u0445 \u043c\u0443\u0437\u044b\u043a\u0430\u045e. \u0422\u0440\u044b \u0437\u044c \u0456\u0445 \u043d\u0430\u043f\u0456\u0441\u0430\u043b\u0456 \u0434\u043b\u044f \u0430\u043b\u044c\u0431\u043e\u043c\u0430 \u0441\u0432\u0430\u0435 \u043f\u0435\u0441\u044c\u043d\u0456, \u0442\u0430\u043c\u0443 \u0433\u0435\u043a\u0430\u0442\u0430\u043d\u0445\u0435\u0439\u0440 \u0425\u0430\u045e\u0435\u0440&#8230;<\/p>","protected":false},"author":1,"featured_media":3214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66,2],"tags":[53,42,52],"class_list":["post-3213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-66","category-rev","tag-chile","tag-heavy-metal","tag-52","wpcat-66-id","wpcat-2-id"],"_links":{"self":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/3213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/comments?post=3213"}],"version-history":[{"count":1,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/3213\/revisions"}],"predecessor-version":[{"id":3215,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/3213\/revisions\/3215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media\/3214"}],"wp:attachment":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media?parent=3213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/categories?post=3213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/tags?post=3213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}