{"id":2229,"date":"2023-08-04T00:01:53","date_gmt":"2023-08-03T21:01:53","guid":{"rendered":"https:\/\/bagnik-zine.net\/?p=2229"},"modified":"2023-08-04T00:01:53","modified_gmt":"2023-08-03T21:01:53","slug":"%d0%b1%d0%bb%d0%b8%d1%86-%d1%80%d0%b5%d1%86%d0%b5%d0%bd%d0%b7%d0%b8%d0%b8-60-hellsodomy-curse-upon-a-prayer-october-falls-cult-of-erinyes-temple-of-void","status":"publish","type":"post","link":"https:\/\/bagnik-zine.net\/en\/arch\/2229\/","title":{"rendered":"Blitz reviews 60: HELLSODOMY, CURSE UPON A PRAYER, OCTOBER FALLS, CULT OF ERINYES, TEMPLE OF VOID"},"content":{"rendered":"<p>60th part of short reviews.<\/p>\n<p><strong>HELLSODOMY \u2013 Morbid Cult<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span> 2019<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"http:\/\/www.saturnalrecords.com\/\">Saturnal Records<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">6 \/ 10<\/span><\/p>\n<p>The second album of cheerful Turks, keen on ass fucking in the light of a hellish flame. From a group with such a name and logo, you expect only black trash, filled to overflowing with blasphemy, and the Turks do not deceive expectations. However, the band fails to spark the listener; their music is very fluid, reminiscent of a mixture of NUNSLAUGHTER with early NOCTURNAL GRAVES, but it is best described by the expression \u201cstyle example\u201d. I have not seen any obsession that is able to draw out works that are weaker in compositional terms. Everything is fine with \"Morbid Cult\", but I've heard this a thousand times already.<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 853px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268439034\/size=large\/bgcol=333333\/linkcol=ffffff\/package=18148098\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/hellsodomy.bandcamp.com\/album\/morbid-cult\">Morbid Cult by Hellsodomy<\/a><\/iframe><\/p>\n<p><strong>CURSE UPON A PRAYER \u2013 Infidel<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span> 2020<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"http:\/\/www.saturnalrecords.com\/\">Saturnal Records<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">6,7 \/ 10<\/span><\/p>\n<p>New album by Finnish anti-Islam group. The group prefers to remain anonymous, but the massive figure in the center of the current promo photo looks like Shatraug, and the musical component increases suspicion. \u201cInfidel\u201d offers modern melodic Black Metal, very similar to the late SARGEIST, only worse. Anti-Islam is an absolutely correct position that deserves all support, but I can never find a connection between the message of the group and its music. Too much sweetness and unnecessary noise.<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 753px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3782042350\/size=large\/bgcol=333333\/linkcol=e99708\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/thecursedorder.bandcamp.com\/album\/infidel\">Infidel by CURSE UPON A PRAYER<\/a><\/iframe><\/p>\n<p><strong>OCTOBER FALLS \u2013 A Fall of an Epoch<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span> 2020<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"http:\/\/www.purity-through-fire.com\/\">Purity Through Fire<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">5,4 \/ 10<\/span><\/p>\n<p>This is my first acquaintance with the famous Finnish project, and I was already ready to consider it a waste of time, because the album turned out to be an \"atmospherick\" from the Chamber of Weights and Measures: riffs made according to the principle of least resistance, mediocre hysterical performance and the \"atmosphere\" that does not refer to anything at all except aerial castles. This was made thousand - no, billion! - times by other equally useless bands. However, the album helped me to understand something: why I do not digest most of the releases of Purity Through Fire and 90% of atmospheric metal. It's about the same guitar tone, this nasty, splintered rattling that is used by pretentious dreamers everywhere and anywhere. Can't they hear that they sound exactly the same?<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 688px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1679188499\/size=large\/bgcol=333333\/linkcol=ffffff\/package=1854517694\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/octoberfalls.bandcamp.com\/album\/a-fall-of-an-epoch\">A Fall of an Epoch by October Falls<\/a><\/iframe><\/p>\n<p><strong>CULT OF ERINYES \u2013 \u00c6stivation<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span> 2019<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"http:\/\/www.amor-fati-productions.de\/\">Amor Fati Productions<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">5,8 \/ 10<\/span><\/p>\n<p>I remember quite well the first EP of the Belgians CULT OF ERINYES. It was a very ambitious and advanced release by the standards of 2010, filled with MAYHEM-like venom. Since then I have not listened to the group, but now I found out that it has changed for the worse. The ambitions remained the same: the Belgians moved somewhere in the direction of their compatriots ANCIENT MOON, but they failed to chew the piece they had grabbed. The poor performance ruined a good idea. The sound is almost unbearable due to the ineptly created spatial effect, and the few good riffs are difficult to hear over the incessantly screaming vocals, which in addition rob the music of the otherworldly atmosphere. Hope no one there shit their pants, screaming like idiot.<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 654px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=469777055\/size=large\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/cultoferinyes.bandcamp.com\/album\/stivation\">\u00c6stivation by Cult of Erinyes<\/a><\/iframe><\/p>\n<p><strong>TEMPLE OF VOID \u2013 The World That Was<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span> 2020<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"https:\/\/shadowkingdomrecords.com\/\">Shadow Kingdom Records<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">6 \/ 10<\/span><\/p>\n<p>Passable American Death Doom Metal in the vein of HOODED MENACE and ASPHYX, which suddenly came out on Shadow Kingdom. There is only one problem - it is too smooth. The sound is slippery and the vocals are even worse. The vocalist of ACID WITCH growls here, who actually does not growl at all - his voice resembles a drawn-out low croak, again, very smooth. Therefore, the weight of TEMPLE OF VOID music looks imaginary: outside is iron, but inside is mucus that leaks from every crack.<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 721px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352060196\/size=large\/bgcol=333333\/linkcol=2ebd35\/package=3645930376\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/templeofvoid.bandcamp.com\/album\/the-world-that-was\">The World that Was by Temple Of Void<\/a><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>60-\u0439 \u0432\u044b\u043f\u0443\u0441\u043a \u043a\u0440\u0430\u0442\u043a\u0438\u0445 \u043e\u0431\u0437\u043e\u0440\u043e\u0432. HELLSODOMY \u2013 Morbid Cult \u0413\u043e\u0434 \u0432\u044b\u0445\u043e\u0434\u0430: 2019 \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c: Saturnal Records \u041e\u0446\u0435\u043d\u043a\u0430: 6 \/ 10 \u0412\u0442\u043e\u0440\u043e\u0439 \u0430\u043b\u044c\u0431\u043e\u043c \u0431\u043e\u0434\u0440\u044b\u0445 \u0442\u0443\u0440\u043a\u043e\u0432, \u0443\u0432\u043b\u0435\u0447\u0451\u043d\u043d\u044b\u0445 \u0436\u043e\u043f\u043e\u0435\u0431\u043b\u0435\u0439 \u043f\u0440\u0438 \u0441\u0432\u0435\u0442\u0435 \u0430\u0434\u0441\u043a\u043e\u0433\u043e \u043f\u043b\u0430\u043c\u0435\u043d\u0438. \u041e\u0442 \u0433\u0440\u0443\u043f\u043f\u044b \u0441 \u0442\u0430\u043a\u0438\u043c \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u0435\u043c \u0438 \u043b\u043e\u0433\u043e\u0442\u0438\u043f\u043e\u043c \u0436\u0434\u0451\u0448\u044c \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0451\u0440\u043d\u043e\u0433\u043e \u0442\u0440\u044d\u0448\u0430, \u0434\u043e \u043e\u0442\u043a\u0430\u0437\u0430 \u043d\u0430\u0431\u0438\u0442\u043e\u0433\u043e \u0431\u043e\u0433\u043e\u0445\u0443\u043b\u044c\u0441\u0442\u0432\u043e\u043c, \u0438 \u0442\u0443\u0440\u043a\u0438 \u043d\u0435 \u043e\u0431\u043c\u0430\u043d\u044b\u0432\u0430\u044e\u0442 \u043e\u0436\u0438\u0434\u0430\u043d\u0438\u0439. \u0412\u043c\u0435\u0441\u0442\u0435 \u0441 \u0442\u0435\u043c \u0433\u0440\u0443\u043f\u043f\u0435 \u043d\u0435 \u0443\u0434\u0430\u0451\u0442\u0441\u044f \u0437\u0430\u0436\u0435\u0447\u044c&#8230;<\/p>","protected":false},"author":1,"featured_media":2230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arch","wpcat-8-id"],"_links":{"self":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/comments?post=2229"}],"version-history":[{"count":1,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2229\/revisions"}],"predecessor-version":[{"id":2231,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2229\/revisions\/2231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media\/2230"}],"wp:attachment":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media?parent=2229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/categories?post=2229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/tags?post=2229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}