{"id":2183,"date":"2023-07-27T00:18:38","date_gmt":"2023-07-26T21:18:38","guid":{"rendered":"https:\/\/bagnik-zine.net\/?p=2183"},"modified":"2023-07-27T00:18:38","modified_gmt":"2023-07-26T21:18:38","slug":"%d1%80%d0%b5%d1%86%d0%b5%d0%bd%d0%b7%d0%b8%d1%8f-burzum-thulean-mysteries","status":"publish","type":"post","link":"https:\/\/bagnik-zine.net\/en\/arch\/2183\/","title":{"rendered":"Review: BURZUM \u2013 Thul\u00eaan Mysteries"},"content":{"rendered":"<p><span style=\"color: #008080;\">Year of release:<\/span> 2019<br \/>\n<span style=\"color: #008080;\">Label:<\/span> <a href=\"http:\/\/byelobog-productions.burzum.org\/\">Byelobog Productions<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span> <span style=\"color: #ff0000;\">7,8 \/ 10<\/span><\/p>\n<p>Well, I guess, in this review, I will not raise the topic of perception of the posthumous BURZUM collection by the general public. It has long been known that the attitude towards BURZUM is a litmus test that distinguishes a sane person from degenerates and simply ignorant people. Instead, I\u2019ll note from the threshold that the compilation is better than you might expect. After all, this, by and large, is just two discs of sweep that Varg was able to scrape up. Perhaps the audience was not expecting such an end to BURZUM, but Vikernes really doesn't give a damn about expectations, as befits a real artist.<\/p>\n<p>It turned out that his archives had a lot of material - 1,5 hours in total. Not all tracks are equally useful here. Many are uncomplicated tunes for a minute and a little, which Varg used as background music on his YouTube channel, closed by ZOG. But at the same time, some of them could be safely stretched for 5 minutes, just looping the main fragments, because they are beautiful. There are reverse examples in the form of full-fledged compositions, which, despite the duration, lead nowhere or break off at a glance. To the shortcomings of the collection I will also attribute its inconsistency. Perhaps Varg tried to observe some kind of chronology, but this is not heard at all. Two adjacent tracks can have a completely different character and sound, so the transition between them is perceived quite sensitively. However, I\u2019m not quite right: on the second disc there are long compositions designed in a similar style. But on the first - a hodgepodge.<\/p>\n<p>One way or another, BURZUM magic works to the last. Varg has always had very easy attitude towards his works, whether it\u2019s new things or his classic in the metal genre, but everything he does makes sense and works in tune with his worldview - even the little things for 65-80 seconds. Be sure: if the track is called \"Gathering of Herbs\", then it will sound suitable for such an activity. All compositions in the collection can be divided into three categories. The first is late BURZUM, that is, folk ambient with guitar, vocals and shamanistic rhythms (attention to \u201cThe Great Sleep\u201d - why not make something longer in this style?). The second is \u201cprison ambient\u201d, that is, referring to the unforgettable duet \u201cDau\u00f0i Baldrs\u201d - \u201cHli\u00f0skj\u00e1lf\u201d; primitive things played on the synthesizer, aka \u201cdungeon synth\u201d. The third is \u201cTomhet\u201d dark ambient. Of the latter, I especially like \u201cThe Lord of Dwarves,\u201d accompanied by an interesting guitar effect. Such compositions best suggest that Varg's talent has not yet been exhausted and that he could work further. But if you don\u2019t feel like it, then you shouldn't rape yourself.<\/p>\n<p>An attentive listener will find that some things replay old familiar motives in a different way, hiding references to the original sources of inspiration. For example, \u201cA Forgotten Realm\u201d contains a melody from \u201cTomhet\u201d, which, in turn, was partially inspired (like almost all of BURZUM\u2019s work) by tabletop games like - you guessed it right - Forgotten Realms. \u201cTomhet\u201d is generally disassembled into parts and reworked 4 times only in this collection - apparently, Vikernes has a particularly warm attitude to this composition. By the way, Varg recommends listening to the compilation as a soundtrack to his MYFAROG tabletop game, promoting a pagan worldview. The release cover, for example, is the same as the book with the rules for the game. I have not played tabletop games for a million years and unlikely will return to them, but the periodic mentions of MYFAROG by Varg in his Twitter sound seriously. No faggots or genders here - in our game there are only two SEXES!<\/p>\n<p>\u201cThul\u00eaan Mysteries\u201d was published as a double-disc digipack, double vinyl, and more recently, a two-cassette box. Digipack does not contain anything inside, except for a tiny note and discs (details <a href=\"https:\/\/www.instagram.com\/p\/CCdJZirJI4n\/\">on a video<\/a>), and the other options, I think, are no different. It is a pity that Varg did not take the opportunity to share the ideas of the compositions, but perhaps he did not want to turn the BURZUM finale into a propaganda manifesto. In the end, anyone who knows BURZUM and Vikernes\u2019 personality firsthand will understand what he wanted to say.<!-- End .entry-content --><\/p>","protected":false},"excerpt":{"rendered":"<p>\u0413\u043e\u0434 \u0432\u044b\u0445\u043e\u0434\u0430: 2019 \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c: Byelobog Productions \u041e\u0446\u0435\u043d\u043a\u0430: 7,8 \/ 10 \u041f\u043e\u0436\u0430\u043b\u0443\u0439, \u044f \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u0438\u0430\u043b\u044c\u043d\u043e \u043d\u0435 \u0431\u0443\u0434\u0443 \u043f\u043e\u0434\u043d\u0438\u043c\u0430\u0442\u044c \u0432 \u044d\u0442\u043e\u0439 \u0440\u0435\u0446\u0435\u043d\u0437\u0438\u0438 \u0442\u0435\u043c\u0443 \u0432\u043e\u0441\u043f\u0440\u0438\u044f\u0442\u0438\u044f \u043f\u043e\u0441\u043c\u0435\u0440\u0442\u043d\u043e\u0433\u043e \u0441\u0431\u043e\u0440\u043d\u0438\u043a\u0430 BURZUM \u0448\u0438\u0440\u043e\u043a\u043e\u0439 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u044c\u044e. \u0418 \u0442\u0430\u043a \u0434\u0430\u0432\u043d\u043e \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u043e, \u0447\u0442\u043e \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u0435 \u043a BURZUM \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u043b\u0430\u043a\u043c\u0443\u0441\u043e\u0432\u043e\u0439 \u0431\u0443\u043c\u0430\u0436\u043a\u043e\u0439, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u0441 \u0432\u044b\u0441\u043e\u043a\u043e\u0439 \u0442\u043e\u0447\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u043b\u0438\u0447\u0430\u0435\u0442 \u0437\u0434\u0440\u0430\u0432\u043e\u043c\u044b\u0441\u043b\u044f\u0449\u0435\u0433\u043e \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430 \u043e\u0442 \u0434\u0435\u0433\u0435\u043d\u0435\u0440\u0430\u0442\u043e\u0432 \u0438 \u043f\u0440\u043e\u0441\u0442\u043e \u043d\u0435\u0432\u0435\u0436\u0434. \u0412\u043c\u0435\u0441\u0442\u043e \u044d\u0442\u043e\u0433\u043e \u044f \u0441 \u043f\u043e\u0440\u043e\u0433\u0430 \u043e\u0442\u043c\u0435\u0447\u0443,&#8230;<\/p>","protected":false},"author":1,"featured_media":2184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arch","wpcat-8-id"],"_links":{"self":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/comments?post=2183"}],"version-history":[{"count":2,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2183\/revisions"}],"predecessor-version":[{"id":2186,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2183\/revisions\/2186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media\/2184"}],"wp:attachment":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media?parent=2183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/categories?post=2183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/tags?post=2183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}