{"id":2097,"date":"2023-07-09T23:31:58","date_gmt":"2023-07-09T20:31:58","guid":{"rendered":"https:\/\/bagnik-zine.net\/?p=2097"},"modified":"2023-07-09T23:31:58","modified_gmt":"2023-07-09T20:31:58","slug":"%d0%b1%d0%bb%d0%b8%d1%86-%d1%80%d0%b5%d1%86%d0%b5%d0%bd%d0%b7%d0%b8%d0%b8-52-goatblood-blosse-aggressive-perfector-death-wolf-nachtig","status":"publish","type":"post","link":"https:\/\/bagnik-zine.net\/en\/arch\/2097\/","title":{"rendered":"Blitz reviews 52: GOATBLOOD, BLOSSE, AGGRESSIVE PERFECTOR, DEATH WOLF, NACHTIG"},"content":{"rendered":"<p>52nd part of the short reviews.<\/p>\n<p><strong>GOATBLOOD \u2013 Apparition of Doomsday<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02019<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"https:\/\/www.dunkelheit-produktionen.de\">Dunkelheit Produktionen<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">6,6\u00a0\/ 10<\/span><\/p>\n<p>The new album of the German band (there is also an Australian one with the same name), which, as far as I know, influenced our local goat metal hord BONEHAMMER. The press release states that GOATBLOOD allegedly showcases interesting new movements within the framework of \u201cBestial Metal\u201d, but I didn\u2019t notice anything like that. The music is very diligent clone of ARCHGOAT, and the only thing that stands out is rare melodic fragments and short atmospheric sketches on the main themes of individual songs. Listen to this album or skip it - the effect will be the same.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 853px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1883446963\/size=large\/bgcol=333333\/linkcol=e32c14\/package=1181858453\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/dunkelheitprod.bandcamp.com\/album\/apparition-of-doomsday\">Apparition Of Doomsday by GOATBLOOD<\/a><\/iframe><\/p>\n<p><strong>BLOSSE \u2013 Nocturne<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"http:\/\/atmf.net\">Aeternitas Tenebrarum Musicae Fundamentum<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">5\u00a0\/ 10<\/span><\/p>\n<p>A solo project in the style of \u201cQuebec metal\u201d from, in fact, Quebec. The local metal scene as a phenomenon appeals to me very much, but for several years I did not find\u00a0<em>not a single one<\/em>\u00a0good album on it. Quebec musicians have adequate ideas and the right sources of inspiration (the same BLOSSE, for example, recorded an entire album of covers on DRUDKH, HATE FOREST and PAYSAGE D\u2019HIVER), but some important ingredient is lost along the way from thought to action. \u201cNocturne\u201d, like the rest of Quebec metal, is an attempt to create something so cold, atmospheric and archaic, but it\u2019s an\u00a0<em>attempt<\/em>that always ends with yet another completely unconvincing French-speaking slobber, for some reason adored by all kinds of \u201catmospheric\" freaks. I guess I don\u2019t understand something, but for me the real atmospheric metal is DRUDKH, WALKNUT or even SAOR, but BLOSSE or FORTERESSE are simply feces. One way or another, the new edition from ATMF, which was sent to me for a promotion, contains two full-length albums on one disc at once - the mentioned \u201cNocturne\u201d and the debut \u201cEra noire\u201d. Both are equally dull, so if you want to spend 70 minutes of life in vain - be my guest.<\/p>\n<p><strong>AGGRESSIVE PERFECTOR \u2013 Havoc at the Midnight Hour<\/strong><br \/>\nYear of release: 2019<br \/>\nLabel:\u00a0<a href=\"http:\/\/www.dying-victims.de\">Dying Victims Productions<\/a><br \/>\nRating:\u00a0<span style=\"color: #ff0000;\">7,8\u00a0\/ 10<\/span><\/p>\n<p>The young American band whose name refers to SLAYER, plays a slightly different music, reminiscent of MIDNIGHT in the best moments (where Athenar gives a motor head, and does not try to make an evil face). Plus a bit of retro devilishness. It's cheerful, fervent, with cool solos and songs that you want to sing along with, despite the raucous vocals. The sound is quite modern, but at the same time real, vibrating. In this regard, Dying Victims always has everything at the highest level. The design is amazing. Cool!<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 787px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286205387\/size=large\/bgcol=333333\/linkcol=e99708\/package=1848939517\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/dyingvictimsproductions.bandcamp.com\/album\/aggressive-perfector-havoc-at-the-midnight-hour\">Aggressive Perfector &#8211; Havoc At The Midnight Hour by Dying Victims Productions<\/a><\/iframe><\/p>\n<p><strong>DEATH WOLF \u2013 IV: Come the Dark<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02019<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"http:\/\/www.blooddawn.net\">Blooddawn Productions<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">5,1\u00a0\/ 10<\/span><\/p>\n<p>The praised project with the participation of Morgan from MARDUK, despite the remarkable initial DANZIG influences, turned out to be a terribly stupid metal rock with an indescribably nauseating double vocal track. Some dark energy is inherent in the album, but everything else is just a pile of shit. Even worse than \"Viktoria\".<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 853px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=69408971\/size=large\/bgcol=333333\/linkcol=ffffff\/package=2589106269\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/regainrecords.bandcamp.com\/album\/iv-come-the-dark\">IV: Come the Dark by Death Wolf<\/a><\/iframe><\/p>\n<p><strong>NACHTIG \u2013 Nachtig<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02019<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"http:\/\/www.purity-through-fire.com\">Purity Through Fire<\/a><br \/>\n<span style=\"color: #008080;\">Rating:\u00a0<\/span><span style=\"color: #ff0000;\">5,5 \/ 10<\/span><\/p>\n<p>In the past Blitz, I reviewed the album of VALOSTA VARJOON, another project featuring the creator of Nachtig. That project very loudly declared the musician\u2019s passion for the Finnish scene, but it turned out that he also had NACHTIG and COSMIC BURIAL, which simply screams of love to COSMIC CHURCH. Of course, focusing on COSMIC CHURCH is an extremely laudable endeavor, but the fact is that the Finnish project was a completely unique phenomenon with an inimitable ideology and a deeply personal approach to playing music, which cannot be repeated, even if you dress in hoodies and draw triangles in the logo until the end of your life. NACHTIG is COSMIC CHURCH without everything that made the Finnish project special, that is, second-class atmospheric metal with long songs. The situation is aggravated by the same second-rate sound and this tiresome German type of melodiousness that I am completely fed by. There is already a whole sea of \u200b\u200bsuch albums, and I see no reason to buy and even listen to another one. \u201cNachtig\u201d is made diligently and honestly, but it won't give you a-n-y-t-h-i-n-g.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 589px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244104818\/size=large\/bgcol=333333\/linkcol=ffffff\/package=34219710\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/nachtig.bandcamp.com\/album\/nachtig-2\">Nachtig by Nachtig<\/a><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>52-\u0439 \u0432\u044b\u043f\u0443\u0441\u043a \u043a\u0440\u0430\u0442\u043a\u0438\u0445 \u043e\u0431\u0437\u043e\u0440\u043e\u0432. GOATBLOOD \u2013 Apparition of Doomsday \u0413\u043e\u0434 \u0432\u044b\u0445\u043e\u0434\u0430:\u00a02019 \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c:\u00a0Dunkelheit Produktionen \u041e\u0446\u0435\u043d\u043a\u0430:\u00a06,6\u00a0\/ 10 \u041d\u043e\u0432\u044b\u0439 \u0430\u043b\u044c\u0431\u043e\u043c \u043d\u0435\u043c\u0435\u0446\u043a\u043e\u0439 \u0433\u0440\u0443\u043f\u043f\u044b (\u0435\u0441\u0442\u044c \u0435\u0449\u0451 \u0430\u0432\u0441\u0442\u0440\u0430\u043b\u0438\u0439\u0441\u043a\u0430\u044f \u0441 \u0442\u0430\u043a\u0438\u043c \u0436\u0435 \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u0435\u043c), \u043a\u043e\u0442\u043e\u0440\u0430\u044f, \u043d\u0430\u0441\u043a\u043e\u043b\u044c\u043a\u043e \u043c\u043d\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u043e, \u043e\u043a\u0430\u0437\u0430\u043b\u0430 \u0432\u043b\u0438\u044f\u043d\u0438\u0435 \u043d\u0430 \u0442\u0443\u0442\u044d\u0439\u0448\u044b BONEHAMMER. \u041f\u0440\u0435\u0441\u0441-\u0440\u0435\u043b\u0438\u0437 \u0437\u0430\u044f\u0432\u043b\u044f\u0435\u0442, \u0447\u0442\u043e GOATBLOOD \u044f\u043a\u043e\u0431\u044b \u0434\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0438\u0440\u0443\u044e\u0442 \u043d\u043e\u0432\u044b\u0435 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043d\u044b\u0435 \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u044f \u0432 \u0440\u0430\u043c\u043a\u0430\u0445 \u201cBestial Metal\u201d, \u043d\u043e \u043d\u0438\u0447\u0435\u0433\u043e \u0442\u0430\u043a\u043e\u0433\u043e \u044f \u043d\u0435 \u0437\u0430\u043c\u0435\u0442\u0438\u043b. \u041c\u0443\u0437\u044b\u043a\u0430&#8230;<\/p>","protected":false},"author":1,"featured_media":2063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arch","wpcat-8-id"],"_links":{"self":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/comments?post=2097"}],"version-history":[{"count":1,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2097\/revisions"}],"predecessor-version":[{"id":2098,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/2097\/revisions\/2098"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media\/2063"}],"wp:attachment":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media?parent=2097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/categories?post=2097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/tags?post=2097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}