{"id":1573,"date":"2023-04-18T01:12:16","date_gmt":"2023-04-17T22:12:16","guid":{"rendered":"https:\/\/bagnik-zine.net\/?p=1573"},"modified":"2023-04-18T01:12:16","modified_gmt":"2023-04-17T22:12:16","slug":"%d0%b1%d0%bb%d0%b8%d1%86-%d1%80%d0%b5%d1%86%d0%b5%d0%bd%d0%b7%d0%b8%d0%b8-24-gloam-obscure-evil-outre-tombe-sonambula-peste-umbrarum-vetala","status":"publish","type":"post","link":"https:\/\/bagnik-zine.net\/en\/arch\/1573\/","title":{"rendered":"Blitz reviews 24: GLOAM \/ OBSCURE EVIL, OUTRE-TOMBE, S\u00d6NAMBULA, PESTE UMBRARUM, VETALA"},"content":{"rendered":"<p>24th part of short reviews.<\/p>\n<p><strong>GLOAM \/ OBSCURE EVIL \u2013 Gloam \/ Obscure Evil<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"http:\/\/www.bloodharvest.se\/\">Blood Harvest<\/a><br \/>\n<span style=\"color: #008080;\">Rating:\u00a0<\/span><span style=\"color: #ff0000;\">7\u00a0\/ 10<\/span><\/p>\n<p>Very good split from two little-known bands. Americans GLOAM offer a very solid black metal with an occult smell, strongly resembling the work of CULTES DES GHOULES. The sound is cleaner, otherwise the similarity is incredible. Peruvians OBSCURE EVIL, which existed only three years and by the time of the release of the record already split up, recorded two tracks of \u201cdrunken Latin American diabolism\u201d. Simply put, this is the traditional Black Metal interspersed with rock and roll. Both sides of the split are quite cool, you won't regret if you buy it.<\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 589px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1245358339\/size=large\/bgcol=333333\/linkcol=ffffff\/package=1208414931\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/bloodharvestrecords.bandcamp.com\/album\/split-10ep-mc\">Split 10&#8243;EP \/ MC by GLOAM \/ OBSCURE EVIL<\/a><\/iframe><\/p>\n<p><strong>OUTRE-TOMBE \u2013\u00a0N\u00e9crovortex<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"https:\/\/www.templeofmystery.ca\/\">Temple of Mystery Records<\/a><br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">6,5\u00a0\/ 10<\/span><\/p>\n<p>The second album of the Canadian Death Metal band working in the Swedish style. The label positions OUTRE-TOMBE as conscious musicians, preferring to work long and carefully on their albums, rather than to fill up the stage with useless shit. Good intentions, but I don\u2019t hear how \u201cN\u00e9crovortex\u201d (besides the cool cover) differs from the one million records of, for example, Rogga Johansson who records his stuff with one left hand during the lunch breaks. I haven't found any super-good songs here. Such music is very difficult to spoil, but even harder to improve. It revolves around the same set of compositional solutions, and a certain freedom for performers exists only in the field of working with sound. In this regard, OUTRE-TOMBE acted strange.The sound is heavy and bold, but at the same time there is some internal softness in it, it's a common characteristic of French-speaking bands. All this makes \u201cN\u00e9crovortex\u201d a good album, but not outstanding.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 853px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440067419\/size=large\/bgcol=333333\/linkcol=9a64ff\/package=258529626\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/templeofmystery.bandcamp.com\/album\/n-crovortex\">N\u00e9crovortex by Outre-Tombe<\/a><\/iframe><\/p>\n<p><strong>PESTE UMBRARUM \u2013\u00a0Night Shines Eternal<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0self-release<br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">5\u00a0\/ 10<\/span><\/p>\n<p>This American group sent a very good press kit, which is why it is especially unfortunate that the demo turned out uninteresting. Almost all of its components, I would characterize using the word \"weak. Weak sound (despite the recording, which seems to be made by the most correct method - live in studio), powerless songs, frail melody, lack of genuine darkness... A little surprising, considering the experience of musicians. Fans of rose-smelling French or Canadian scenes would probably like it.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 655px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2550252018\/size=large\/bgcol=333333\/linkcol=ffffff\/package=4015485906\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/pesteumbrarum.bandcamp.com\/album\/night-shines-eternal-demo-2018\">Night Shines Eternal (Demo 2018) by Peste Umbrarum<\/a><\/iframe><\/p>\n<p><strong>S\u00d6NAMBULA \u2013\u00a0Bic\u00e9falo<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0self-release<br \/>\n<span style=\"color: #008080;\">Rating:<\/span>\u00a0<span style=\"color: #ff0000;\">6 \/ 10<\/span><\/p>\n<p>The second album of the Spanish death doom band. There is much more death than doom, so the music is often accelerated, and the sound tends to maximum heaviness... but only the\u00a0<em>sound<\/em>. I don't feel a real extremity in this album. Groovy elements do not help either. I can't believe this music. Album of one listening.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe style=\"border: 0; width: 350px; height: 687px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3904818789\/size=large\/bgcol=333333\/linkcol=ffffff\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/xtreemmusic.bandcamp.com\/album\/bic-falo\">Bic\u00e9falo by S\u00d6NAMBULA<\/a><\/iframe><\/p>\n<p><strong>VETALA \u2013\u00a0Retarded Necro Demential Hole<\/strong><br \/>\n<span style=\"color: #008080;\">Year of release:<\/span>\u00a02018<br \/>\n<span style=\"color: #008080;\">Label:<\/span>\u00a0<a href=\"http:\/\/www.signalrex.com\/\">Harvest of Death<\/a><br \/>\n<span style=\"color: #008080;\">Rating:\u00a0<\/span><span style=\"color: #ff0000;\">6,66 \/ 10<\/span><\/p>\n<p>VETALA are representatives of the Portuguese Black Circle sect. Which, as is easy to understand, continues the work of various inner circles, but especially LLN. This is expressed in the overall style of the Black Cirlce groups - from sharply contrasting black and white design to sound quality that makes your ears bleed. I really want to say that here it is, at last - the authentic Black Metal in its pristine purity... but songs like \u201cPissing Terrorism\u201d from one of VETALA albums make these guys' intentions doubtful. Unfortunately, I practically know nothing about musicians to draw any conclusions. As for music, there is sheer joy: chaos, dirt, destruction of the instruments and overt hatred for the listener. The average length of the songs is 10 minutes, so do not wait for mercy.<\/p>\n<p style=\"text-align: center;\">\u00a0<iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/516354696&amp;color=%23110909&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate, 'Lucida Grande', 'Lucida Sans Unicode', 'Lucida Sans', Garuda, Verdana, Tahoma, sans-serif; font-weight: 100; text-align: center;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"Harvest Of Death\" href=\"https:\/\/soundcloud.com\/hrvstfdth\" target=\"_blank\" rel=\"noopener\">Harvest Of Death<\/a> \u00b7 <a style=\"color: #cccccc; text-decoration: none;\" title=\"VETALA - Untitled 2\" href=\"https:\/\/soundcloud.com\/hrvstfdth\/vetala-untitled-coming-soon\" target=\"_blank\" rel=\"noopener\">VETALA &#8211; Untitled 2<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>\u0414\u0432\u0430\u0434\u0446\u0430\u0442\u044c \u0447\u0435\u0442\u0432\u0451\u0440\u0442\u044b\u0439 \u0432\u044b\u043f\u0443\u0441\u043a \u043a\u0440\u0430\u0442\u043a\u0438\u0445 \u043e\u0431\u0437\u043e\u0440\u043e\u0432. GLOAM \/ OBSCURE EVIL \u2013 Gloam \/ Obscure Evil \u0413\u043e\u0434 \u0432\u044b\u0445\u043e\u0434\u0430:\u00a02018 \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c:\u00a0Blood Harvest \u041e\u0446\u0435\u043d\u043a\u0430:\u00a07\u00a0\/ 10 \u041e\u0447\u0435\u043d\u044c \u043d\u0435\u043f\u043b\u043e\u0445\u043e\u0439 \u0441\u043f\u043b\u0438\u0442 \u043e\u0442 \u0434\u0432\u0443\u0445 \u043c\u0430\u043b\u043e \u043a\u043e\u043c\u0443 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0445 \u043a\u043e\u043c\u0430\u043d\u0434. \u0410\u043c\u0435\u0440\u0438\u043a\u0430\u043d\u0446\u044b GLOAM \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430\u044e\u0442 \u0432\u0435\u0441\u044c\u043c\u0430 \u0441\u043e\u043b\u0438\u0434\u043d\u044b\u0439 \u0447\u0451\u0440\u043d\u044b\u0439 \u043c\u0435\u0442\u0430\u043b \u0441 \u043e\u043a\u043a\u0443\u043b\u044c\u0442\u043d\u044b\u043c \u0434\u0443\u0448\u043a\u043e\u043c, \u0441\u0438\u043b\u044c\u043d\u043e \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u044e\u0449\u0438\u0439 \u0440\u0430\u0431\u043e\u0442\u044b CULTES DES GHOULES. \u0417\u0432\u0443\u043a \u043f\u043e\u0447\u0438\u0449\u0435, \u0432 \u043e\u0441\u0442\u0430\u043b\u044c\u043d\u043e\u043c \u0441\u0445\u043e\u0434\u0441\u0442\u0432\u043e \u043d\u0435\u0432\u0435\u0440\u043e\u044f\u0442\u043d\u043e\u0435. \u041f\u0435\u0440\u0443\u0430\u043d\u0446\u044b OBSCURE EVIL, \u043f\u0440\u043e\u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u0432\u0448\u0438\u0435&#8230;<\/p>","protected":false},"author":1,"featured_media":1514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arch","wpcat-8-id"],"_links":{"self":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/1573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/comments?post=1573"}],"version-history":[{"count":1,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/1573\/revisions"}],"predecessor-version":[{"id":1574,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/posts\/1573\/revisions\/1574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media\/1514"}],"wp:attachment":[{"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/media?parent=1573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/categories?post=1573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bagnik-zine.net\/en\/wp-json\/wp\/v2\/tags?post=1573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}